亞太影獎Asia Pacific Screen Awards（澳大利亞） 好玩不
2010-11-28 21:33:34 来自: 老猪 (暫住中國)
這次澳大利亞的亞太影獎是夠奇怪的吧。有《克拉瑪依》，最佳紀錄片提名，有劉健的動畫《刺痛我》，最佳動畫提名，然後，還有什麽《唐山大地震》之類的。似乎今年沒有去年的墨爾本事件，大家友好的同台亮相？
2010-11-28 21:36:14 老猪 (暫住中國)
最佳紀錄片提名的5部影片：
12 Angry Lebanese: The Documentary - Lebanon
Produced by Zeina Daccache.
A theatre director, specialising in working with disadvantaged and traumatised people, Zeina Daccache struggled to set up Lebanon's first prison-based drama project in the country's notorious Roumieh Prison. For 15 months, 45 inmates, some completely illiterate, found themselves working together to present an adaptation of the famous stage play 12 Angry Men, here renamed 12 Angry Lebanese. In the film, the drama therapy sessions, the interviews with the inmates, and the interaction with both director and audience, convey a message of hope, forgiveness and change. Through their artistic journey, these murderers, drug dealers and rapists reveal kindness and faith in humankind. Inspiring and honest, this account of the prisoners' journey demonstrates the positive effect of drama therapy and its effect on some of the most ostracized individuals in society.
Budrus - Palestinian Territories / Israel / USA
Produced by Ronit Avni, Julia Bacha and Rula Salameh.
Co-Produced by Sandi DuBowski and Darius Fisher.
Ayed Morrar, an unlikely community organiser, unites Palestinians from all political factions and Israelis to save his village from destruction by Israel’s Separation Barrier. Victory seems improbable until his 15-year-old daughter, Iltezam, launches a women’s contingent that quickly moves to the front lines. Struggling side by side, father and daughter unleash an inspiring, yet little-known movement in the Palestinian Territories that is still gaining ground today. In an action-filled documentary chronicling this movement from its infancy, Budrus shines a light on people who choose nonviolence to confront a threat yet remain virtually unknown to the world.
Enemies of the People - Cambodia / United Kingdom
Produced by Robert Lemkin and Thet Sambath.
The Khmer Rouge slaughtered nearly two million people in the late 1970s and yet the Killing Fields of Cambodia remain unexplained, until now. Enter Thet Sambath, an unassuming, yet cunning, investigative journalist who spends a decade of his life gaining the trust of the men and women who perpetrated the massacres. From the foot soldiers who slit throats to Pol Pot's right-hand man, the notorious Brother Number Two, Sambath records shocking testimony never before seen or heard. Having neglected his own family for years, Sambath's work comes at a price. But his is a personal mission. He lost his parents and his siblings in the Killing Fields. Amidst his journey to discover why his family died, we come to understand for the first time the real story of Cambodia's tragedy.
Karamay - People's Republic of China
Produced by Zhu Rikun
In 1994, Karamay's Friendship Hall - a symbol of political power and miniature replica of Beijing's Great Hall of the People - was the site of a horrible tragedy: nearly eight hundred grade and middle school students and their teachers, hand-picked to entertain a delegation of education officials, were in the midst of a performance when a fire broke out in the hall. The students were instructed to remain in their seats so that the visiting cadres could exit first. By the time the fire had been contained, 323 people had perished, 288 of them children between the ages of 6 and 14. All of the visiting cadres survived. Of the eight emergency exits in the hall, seven were found to have been obstructed or padlocked. This film explores the aftermath of the tragedy and the emotional impact on the affected families.
Last Train Home - People's Republic of China / Canada
Produced by Mila Aung-Thwin and Daniel Cross. Co-Produced by Bob Moore.
Each year in China more than 130 million migrant workers travel home for the New Year's holiday - the one time they’ll reunite with family all year. The mass exodus constitutes the world’s largest human migration. Amid this chaos, director Lixin Fan focuses on one couple, Changhua and Sugin Zhang, who embark upon a two day journey to see their children. The Zhangs left their rural village for factory jobs when their children were just infants. Now a teenager, daughter Qin resents their continual absence. Yearning for her own freedom, she quits school to work in a factory herself. Her parents, who see education as their children’s one hope, are devastated.
12 Angry Lebanese: The Documentary - Lebanon
Produced by Zeina Daccache.
A theatre director, specialising in working with disadvantaged and traumatised people, Zeina Daccache struggled to set up Lebanon's first prison-based drama project in the country's notorious Roumieh Prison. For 15 months, 45 inmates, some completely illiterate, found themselves working together to present an adaptation of the famous stage play 12 Angry Men, here renamed 12 Angry Lebanese. In the film, the drama therapy sessions, the interviews with the inmates, and the interaction with both director and audience, convey a message of hope, forgiveness and change. Through their artistic journey, these murderers, drug dealers and rapists reveal kindness and faith in humankind. Inspiring and honest, this account of the prisoners' journey demonstrates the positive effect of drama therapy and its effect on some of the most ostracized individuals in society.
Budrus - Palestinian Territories / Israel / USA
Produced by Ronit Avni, Julia Bacha and Rula Salameh.
Co-Produced by Sandi DuBowski and Darius Fisher.
Ayed Morrar, an unlikely community organiser, unites Palestinians from all political factions and Israelis to save his village from destruction by Israel’s Separation Barrier. Victory seems improbable until his 15-year-old daughter, Iltezam, launches a women’s contingent that quickly moves to the front lines. Struggling side by side, father and daughter unleash an inspiring, yet little-known movement in the Palestinian Territories that is still gaining ground today. In an action-filled documentary chronicling this movement from its infancy, Budrus shines a light on people who choose nonviolence to confront a threat yet remain virtually unknown to the world.
Enemies of the People - Cambodia / United Kingdom
Produced by Robert Lemkin and Thet Sambath.
The Khmer Rouge slaughtered nearly two million people in the late 1970s and yet the Killing Fields of Cambodia remain unexplained, until now. Enter Thet Sambath, an unassuming, yet cunning, investigative journalist who spends a decade of his life gaining the trust of the men and women who perpetrated the massacres. From the foot soldiers who slit throats to Pol Pot's right-hand man, the notorious Brother Number Two, Sambath records shocking testimony never before seen or heard. Having neglected his own family for years, Sambath's work comes at a price. But his is a personal mission. He lost his parents and his siblings in the Killing Fields. Amidst his journey to discover why his family died, we come to understand for the first time the real story of Cambodia's tragedy.
Karamay - People's Republic of China
Produced by Zhu Rikun
In 1994, Karamay's Friendship Hall - a symbol of political power and miniature replica of Beijing's Great Hall of the People - was the site of a horrible tragedy: nearly eight hundred grade and middle school students and their teachers, hand-picked to entertain a delegation of education officials, were in the midst of a performance when a fire broke out in the hall. The students were instructed to remain in their seats so that the visiting cadres could exit first. By the time the fire had been contained, 323 people had perished, 288 of them children between the ages of 6 and 14. All of the visiting cadres survived. Of the eight emergency exits in the hall, seven were found to have been obstructed or padlocked. This film explores the aftermath of the tragedy and the emotional impact on the affected families.
Last Train Home - People's Republic of China / Canada
Produced by Mila Aung-Thwin and Daniel Cross. Co-Produced by Bob Moore.
Each year in China more than 130 million migrant workers travel home for the New Year's holiday - the one time they’ll reunite with family all year. The mass exodus constitutes the world’s largest human migration. Amid this chaos, director Lixin Fan focuses on one couple, Changhua and Sugin Zhang, who embark upon a two day journey to see their children. The Zhangs left their rural village for factory jobs when their children were just infants. Now a teenager, daughter Qin resents their continual absence. Yearning for her own freedom, she quits school to work in a factory herself. Her parents, who see education as their children’s one hope, are devastated.
2010-11-28 21:39:54 老猪 (暫住中國)
7個評委。其中一位是中國人。不過名字沒有聽說過。
APSA Winners are determined by the International Jury who will assemble on Australia’s Gold Coast on November 22 to commence deliberations. The International Jury President for the fourth annual APSAs was
announced on May 16 from the 63rd Festival de Cannes. The other members of the jury will be announced later in the year and the films selected to contend for the coveted award will be announced in early October.
Lord Puttnam’s body of work spanning more than 30 years as an independent producer includes Palme d’Or winner The Mission (1986) and the iconic Chariots of Fire, for which he received a Best Picture Oscar in 1981. The Killing Fields (1984), based on the experience of three journalists in Cambodia during the time of the Khmer Rouge, was also highly acclaimed. In 2006, Lord Puttnam was awarded a BAFTA Fellowship for Lifetime Achievement. His extensive producing credits include Bugsy Malone, Local Hero, Midnight Express, The Memphis Belle and he also produced Ridley Scott’s directorial debut The Duellists, which played in Cannes in 1977 receiving a Unanimité award.
A working peer in the UK's House of Lords, he now focuses primarily on political and policy work in relation to education, the creative industries and climate change and in 2009, produced We are the People We’ve Been Waiting For, a thought-provoking documentary about the modern education system. He is Chancellor of the Open University. In 1998 he founded that National Teaching Awards which he Chaired until October 2008. He served as the first Chair of the General Teaching Council (2000-2002), and on a variety of other public bodies. He was founding Chair of the National Endowment for Science, Technology and the Arts, and for ten years chaired the National Museum of Photography, Film and Television, as well as serving as a Trustee of both the Tate Gallery and the Science Museum. He has also recently become a Trustee of the Eden Project. He was also Vice President and Chair of Trustees at BAFTA (British Academy of Film & Television Arts) from 1994 to 2004.
He was appointed President of UNICEF UK in July 2002, and played a key role in promoting UNICEF’s advocacy, awareness and fundraising objectives. He retired from this post in July 2009.
In February 2006, became Deputy Chairman of Channel Four, and in April 2006 Chairman of Futurelab. In April 2007 he became the Chairman of Profero. In the same month he was also appointed Chairman of the Joint Parliamentary Climate Change Bill Scrutiny Committee. Also in 2007 he was appointed as Chairman of North Music Trust, The Sage Gateshead. Most recently he was made President of the FDA.
David was awarded a CBE in 1982, received a Knighthood in 1995 and was appointed to the House of Lords in 1997. In France he has been honoured as a Chevalier (‘85), Officer (’92) and, most recently (2006) Commander of Arts and Letters.
Tannishtha Chatterjee is often referred to as the Princess of Parallel Cinema for her work in Indian cinema while also being known as one of the most international of Indian actresses. For her performance in the British film Brick Lane (2007) she was nominated for Best Actress in the British Independent Film Awards alongside fellow nominees Dame Judi Dench and Anne Hathaway. Chatterjee’s first film Swaraj won a National Film Award in India. She went on to star in the Indian French co-production, Hava Aney Dey (Let the Wind Blow), which premiered at the Berlin International Film Festival and won the Best Film Award at the Durban International Film Festival. Her other notable roles have included German director Florian Gallenberger’s Shadows of Time, which received international acclaim at film festivals including Toronto and Berlin, and Bengali film Bibar for which she won Best Actress at the 2006 Osian Film Festival and the 2007 BFJA awards. She won the Best Actress Award at the Miaac New York Film Festival for the film Bombay Summer. Chatterjee has finished filming Ravi Kumar’s film, Bhopal: Prayer for Rain in which she stars alongside Martin Sheen, recently starred in Road, Movie with Abhay Deol and is working with Lucy Liu in a film based on the book Half the Sky. A trained Hindustani classical vocalist, she has performed for film soundtracks and at the Royal Opera House in London with well known British composer, Jocelyn Pook.
An award-winning Australian cinematographer, Ellery Ryan graduated with honours from Swinburne Film School and worked first as a camera assistant and then as DOP for legendary Australian director Fred Schepisi at The Film House in Melbourne, including as camera assistant on The Chant of Jimmie Blacksmith. For more than 30 years, Ellery has been sought after as a DOP on commercials, feature films and in television. He has been nominated four times for the Australian Film Institute Best Achievement in Cinematography Award for his work on the feature films Spotswood, Angel Baby, That Eye, The Sky and Grievous Bodily Harm, winning in 1991 for Spotswood and again in 1995 for Angel Baby. He has won several awards and distinctions from the ACS including a Golden Tripod for Dead Letter Office (1999). Most recently he has completed the feature films Van Diemen’s Land (ACS National Award of Distinction 2010) and the recently released romantic comedy I Love You Too. Ellery’s many other credits include the classic Australian feature films Cosi and Death in Brunswick. His substantial television career includes telemovies, mini-series and series including The Secret Life of Us, The Great Bookie Robbery and Glass Babies. His career in advertising has seen him shoot commercials in Australia, USA, Hong Kong, New Zealand, Thailand, UK, Ireland, Korea, France and Greece.
Salman Aristo is a multi-award winning writer, producer and director, born in Jakarta in 1976. Among his acclaimed works as a screenwriter is Laskar Pelangi (Rainbow Troops, 2008) which holds the record for the highest box office in Indonesian film history. Eleven of his other films, including Catatan Akhir Sekolah (2005), Garuda di Dadaku (2009) and Sang Pemimpi (The Dreamer, 2009), achieved significant success in Indonesia and received wide recognition on the international film festival circuit. Garuda di Dadaku (2009) won the Best Children’s Film at the Indonesia Film Festival and was nominated for Best Screenplay at both the Indonesia and Bandung Film Festival. Aristo has since adapted the screenplay into a novel along with two of his other screenplays Alexandria and Mimpi Sang Garuda. With a career spanning magazine editorships, three novels, more than 30 screenwriting credits across film, television and documentary films and numerous producing, directing and consulting credits, Salman Aristo enjoys sharing his experience and gives regular workshops in scriptwriting and filmmaking. He is crazy about books, music and soccer and would like to be remembered as a good storyteller. For him ‘life is about storytelling. The rest, is just details’.
Ming Zhenjiang is the First Deputy President of the China Film Producers Association, FIAPF’s official representative in the People’s Republic of China. He is on the national committee of China’s Federation of Literature and Arts Associations, a standing council member of China’s Association of Film Artists and a Vice President of China’s Film Reviewers Association. He is one of China’s best-known movie producers and reviewers and a highly regarded poet and writer. Ming Zhenjiang has been responsible for over 50 feature films which have won several Chinese and international film awards, including Golden Rooster and Hundred Flowers Awards. Charging Out Amazon screened at the Kennedy Art Centre in the US and won the 2002 Golden Rooster for Best Film and other titles include On the Taihang Mountains, An Earth Shaking Event and My Personal Long March. He has produced more than 50 documentaries as an organiser. In recent years Ming Zhenjiang has created and produced more than 60 TV series, including Surprising Assault of Soldiers which was screened widely on local television networks throughout China and won an Excellence Award at the Tokyo International TV Movie Festival. Ming Zhenjiang has published more than 100 articles about film and television and several appear in collections such as Treasury of Contemporary Chinese Thoughts.
Born in 1962 in Chimkent, Kazakhstan, Sergey Dvortsevoy graduated from the Radio Technical Institute for Aviation in Novosibirsk. As an Aeroflot manager he travelled the country, until he discovered an advertisement for Courses for Directors and Screenplay writers in Moscow. His first short film Scasti demonstrated his ability to show the world in its simplicity, its warmth and its strength. This wonderful mixture of naturalism and poetry was later called ‘new sincerity’ by the critics. Dvortsevoy has garnered more than 30 awards for his documentaries, including Paradise, Bread Day, High Way and In the Dark. Dvortsevoy describes his films not as documentaries but as life cinema: “I am as watchful as an eagle, my head rotates in a circle of 360 degrees”. His debut feature film, the internationally acclaimed Tulpan, premiered at the 2008 Cannes Film Festival winning the prestigious Prix Un Certain Regard. Tulpan went on to win major awards more than 17 film festivals and events around the world including Tokyo, London, Montreal, Reikjavik and Dubai, and was awarded Best Feature Film at the APSAs in 2008.
Serdar Akar is a multi-award winning filmmaker, born in 1964, in Ankara, Turkey. A graduate of both the Economic and Commercial Sciences Academy and the Cinema & TV Department of Mimar Sinan University he began his career working as assistant to several Turkish directors.In 1998 he wrote and directed the feature film On Board, followed by the multi-award winning Offside in 2000, based on his childhood memories and shot in the town where he spent his childhood. After directing Maruf in 2001, he directed the renowned Valley of the Wolves: Iraq, which was the most expensive Turkish film ever made at that time and also became the highest grossing Turkish film of all time. He shifted his focus to television and went on to direct more than ten highly successful TV Series. In 2006 he formed his own company Filmakar and produced the much debated Barda. In 2007 he produced stage plays through his theatre company Tiyatroadam and, with seven feature films and 13 TV series to his name, he continues to be an academic lecturer at the Mimar Sinan University.
APSA Winners are determined by the International Jury who will assemble on Australia’s Gold Coast on November 22 to commence deliberations. The International Jury President for the fourth annual APSAs was
announced on May 16 from the 63rd Festival de Cannes. The other members of the jury will be announced later in the year and the films selected to contend for the coveted award will be announced in early October.
Lord Puttnam’s body of work spanning more than 30 years as an independent producer includes Palme d’Or winner The Mission (1986) and the iconic Chariots of Fire, for which he received a Best Picture Oscar in 1981. The Killing Fields (1984), based on the experience of three journalists in Cambodia during the time of the Khmer Rouge, was also highly acclaimed. In 2006, Lord Puttnam was awarded a BAFTA Fellowship for Lifetime Achievement. His extensive producing credits include Bugsy Malone, Local Hero, Midnight Express, The Memphis Belle and he also produced Ridley Scott’s directorial debut The Duellists, which played in Cannes in 1977 receiving a Unanimité award.
A working peer in the UK's House of Lords, he now focuses primarily on political and policy work in relation to education, the creative industries and climate change and in 2009, produced We are the People We’ve Been Waiting For, a thought-provoking documentary about the modern education system. He is Chancellor of the Open University. In 1998 he founded that National Teaching Awards which he Chaired until October 2008. He served as the first Chair of the General Teaching Council (2000-2002), and on a variety of other public bodies. He was founding Chair of the National Endowment for Science, Technology and the Arts, and for ten years chaired the National Museum of Photography, Film and Television, as well as serving as a Trustee of both the Tate Gallery and the Science Museum. He has also recently become a Trustee of the Eden Project. He was also Vice President and Chair of Trustees at BAFTA (British Academy of Film & Television Arts) from 1994 to 2004.
He was appointed President of UNICEF UK in July 2002, and played a key role in promoting UNICEF’s advocacy, awareness and fundraising objectives. He retired from this post in July 2009.
In February 2006, became Deputy Chairman of Channel Four, and in April 2006 Chairman of Futurelab. In April 2007 he became the Chairman of Profero. In the same month he was also appointed Chairman of the Joint Parliamentary Climate Change Bill Scrutiny Committee. Also in 2007 he was appointed as Chairman of North Music Trust, The Sage Gateshead. Most recently he was made President of the FDA.
David was awarded a CBE in 1982, received a Knighthood in 1995 and was appointed to the House of Lords in 1997. In France he has been honoured as a Chevalier (‘85), Officer (’92) and, most recently (2006) Commander of Arts and Letters.
Tannishtha Chatterjee is often referred to as the Princess of Parallel Cinema for her work in Indian cinema while also being known as one of the most international of Indian actresses. For her performance in the British film Brick Lane (2007) she was nominated for Best Actress in the British Independent Film Awards alongside fellow nominees Dame Judi Dench and Anne Hathaway. Chatterjee’s first film Swaraj won a National Film Award in India. She went on to star in the Indian French co-production, Hava Aney Dey (Let the Wind Blow), which premiered at the Berlin International Film Festival and won the Best Film Award at the Durban International Film Festival. Her other notable roles have included German director Florian Gallenberger’s Shadows of Time, which received international acclaim at film festivals including Toronto and Berlin, and Bengali film Bibar for which she won Best Actress at the 2006 Osian Film Festival and the 2007 BFJA awards. She won the Best Actress Award at the Miaac New York Film Festival for the film Bombay Summer. Chatterjee has finished filming Ravi Kumar’s film, Bhopal: Prayer for Rain in which she stars alongside Martin Sheen, recently starred in Road, Movie with Abhay Deol and is working with Lucy Liu in a film based on the book Half the Sky. A trained Hindustani classical vocalist, she has performed for film soundtracks and at the Royal Opera House in London with well known British composer, Jocelyn Pook.
An award-winning Australian cinematographer, Ellery Ryan graduated with honours from Swinburne Film School and worked first as a camera assistant and then as DOP for legendary Australian director Fred Schepisi at The Film House in Melbourne, including as camera assistant on The Chant of Jimmie Blacksmith. For more than 30 years, Ellery has been sought after as a DOP on commercials, feature films and in television. He has been nominated four times for the Australian Film Institute Best Achievement in Cinematography Award for his work on the feature films Spotswood, Angel Baby, That Eye, The Sky and Grievous Bodily Harm, winning in 1991 for Spotswood and again in 1995 for Angel Baby. He has won several awards and distinctions from the ACS including a Golden Tripod for Dead Letter Office (1999). Most recently he has completed the feature films Van Diemen’s Land (ACS National Award of Distinction 2010) and the recently released romantic comedy I Love You Too. Ellery’s many other credits include the classic Australian feature films Cosi and Death in Brunswick. His substantial television career includes telemovies, mini-series and series including The Secret Life of Us, The Great Bookie Robbery and Glass Babies. His career in advertising has seen him shoot commercials in Australia, USA, Hong Kong, New Zealand, Thailand, UK, Ireland, Korea, France and Greece.
Salman Aristo is a multi-award winning writer, producer and director, born in Jakarta in 1976. Among his acclaimed works as a screenwriter is Laskar Pelangi (Rainbow Troops, 2008) which holds the record for the highest box office in Indonesian film history. Eleven of his other films, including Catatan Akhir Sekolah (2005), Garuda di Dadaku (2009) and Sang Pemimpi (The Dreamer, 2009), achieved significant success in Indonesia and received wide recognition on the international film festival circuit. Garuda di Dadaku (2009) won the Best Children’s Film at the Indonesia Film Festival and was nominated for Best Screenplay at both the Indonesia and Bandung Film Festival. Aristo has since adapted the screenplay into a novel along with two of his other screenplays Alexandria and Mimpi Sang Garuda. With a career spanning magazine editorships, three novels, more than 30 screenwriting credits across film, television and documentary films and numerous producing, directing and consulting credits, Salman Aristo enjoys sharing his experience and gives regular workshops in scriptwriting and filmmaking. He is crazy about books, music and soccer and would like to be remembered as a good storyteller. For him ‘life is about storytelling. The rest, is just details’.
Ming Zhenjiang is the First Deputy President of the China Film Producers Association, FIAPF’s official representative in the People’s Republic of China. He is on the national committee of China’s Federation of Literature and Arts Associations, a standing council member of China’s Association of Film Artists and a Vice President of China’s Film Reviewers Association. He is one of China’s best-known movie producers and reviewers and a highly regarded poet and writer. Ming Zhenjiang has been responsible for over 50 feature films which have won several Chinese and international film awards, including Golden Rooster and Hundred Flowers Awards. Charging Out Amazon screened at the Kennedy Art Centre in the US and won the 2002 Golden Rooster for Best Film and other titles include On the Taihang Mountains, An Earth Shaking Event and My Personal Long March. He has produced more than 50 documentaries as an organiser. In recent years Ming Zhenjiang has created and produced more than 60 TV series, including Surprising Assault of Soldiers which was screened widely on local television networks throughout China and won an Excellence Award at the Tokyo International TV Movie Festival. Ming Zhenjiang has published more than 100 articles about film and television and several appear in collections such as Treasury of Contemporary Chinese Thoughts.
Born in 1962 in Chimkent, Kazakhstan, Sergey Dvortsevoy graduated from the Radio Technical Institute for Aviation in Novosibirsk. As an Aeroflot manager he travelled the country, until he discovered an advertisement for Courses for Directors and Screenplay writers in Moscow. His first short film Scasti demonstrated his ability to show the world in its simplicity, its warmth and its strength. This wonderful mixture of naturalism and poetry was later called ‘new sincerity’ by the critics. Dvortsevoy has garnered more than 30 awards for his documentaries, including Paradise, Bread Day, High Way and In the Dark. Dvortsevoy describes his films not as documentaries but as life cinema: “I am as watchful as an eagle, my head rotates in a circle of 360 degrees”. His debut feature film, the internationally acclaimed Tulpan, premiered at the 2008 Cannes Film Festival winning the prestigious Prix Un Certain Regard. Tulpan went on to win major awards more than 17 film festivals and events around the world including Tokyo, London, Montreal, Reikjavik and Dubai, and was awarded Best Feature Film at the APSAs in 2008.
Serdar Akar is a multi-award winning filmmaker, born in 1964, in Ankara, Turkey. A graduate of both the Economic and Commercial Sciences Academy and the Cinema & TV Department of Mimar Sinan University he began his career working as assistant to several Turkish directors.In 1998 he wrote and directed the feature film On Board, followed by the multi-award winning Offside in 2000, based on his childhood memories and shot in the town where he spent his childhood. After directing Maruf in 2001, he directed the renowned Valley of the Wolves: Iraq, which was the most expensive Turkish film ever made at that time and also became the highest grossing Turkish film of all time. He shifted his focus to television and went on to direct more than ten highly successful TV Series. In 2006 he formed his own company Filmakar and produced the much debated Barda. In 2007 he produced stage plays through his theatre company Tiyatroadam and, with seven feature films and 13 TV series to his name, he continues to be an academic lecturer at the Mimar Sinan University.
2010-11-30 22:01:15 雅典的老王
明振江
1969年 北京军区炮兵 1976年 北京军区炮兵政治部 1990年 总政治部文化部 1997年 八一电影制片厂厂长 现任：中国电影家协会第七届理事
主要作品
组织协调《大决战》《大转折》《大进军》等影片的剧本审定，军事预算，投产摄影，双片审查工作。同时领导并组织全军电影发行放影、宣传评论、技术管理等工作。
撰写电影发行、放影、宣传、管理方面的文章30多万字，发表了百篇影评文章，在各类报刊登载40余篇，有的荣获中宣部组织的“五个一工程”入选作品优秀评论文章；
任出品人《冲出亚马逊》《惊涛骇浪》《惊心动魄》等；
1969年 北京军区炮兵 1976年 北京军区炮兵政治部 1990年 总政治部文化部 1997年 八一电影制片厂厂长 现任：中国电影家协会第七届理事
主要作品
组织协调《大决战》《大转折》《大进军》等影片的剧本审定，军事预算，投产摄影，双片审查工作。同时领导并组织全军电影发行放影、宣传评论、技术管理等工作。
撰写电影发行、放影、宣传、管理方面的文章30多万字，发表了百篇影评文章，在各类报刊登载40余篇，有的荣获中宣部组织的“五个一工程”入选作品优秀评论文章；
任出品人《冲出亚马逊》《惊涛骇浪》《惊心动魄》等；
2010-12-01 19:37:41 老猪 (暫住中國)
最近聽到許多中國電影在海外的放映也被和諧掉的消息。讓天朝的屁民也感受一下祖國的強大。這裡是最近也算經歷的：《上訪》在澳洲的一個HAZELHURST畫廊的放映（中澳文化年）也在壓力下被澳方取消了。
