BRITISH SOUNDS
| 片名： | BRITISH SOUNDS |
|---|---|
| 其它片名： | 布列颠之音 |
| 导演： | Jean-Luc Godard |
| 编剧： | Jean-Luc Godard, Jean-Henri Roger |
| 制片人： | Irving Teitelbaum, Kenith Trodd |
| 摄影： | Charles Stewart |
| 声音： | Frederick Sharp |
| 剪辑： | Elizabeth Kozmian |
| 片长： | 52分钟 |
| 年份： | 年 |
| 类型： | 纪录片 |
| 国别： | 英国 |
| 语言： | 英语 |
| 格式： |
影片概述 . . . . . .
After taking film to "zero" with -Le Gai Savoir-, Godard and the Dziga Vertov Group put out several Maoist/Marxist films, including this one. The main idea of British Sounds is exactly the soundtrack; the images are primarily still, with minimal camera movement: mostly tracks and pans.
British Sounds is didactic and academic, but not without artistic merit, particularly the use of red and the jump-cutting fists that punch through the British flag repeatedly. The film has six parts, including the famous ten-minute track through an auto assembly line and a four-minute shot of a woman's nude torso; it is also filled with speech, whether it's a text from Engels read aloud or a newscaster talking about the necessities of burning women and children. A real agit-prop film, but, as Godard said about the later -Vladimir and Rosa-, also "a time piece."
British Sounds is didactic and academic, but not without artistic merit, particularly the use of red and the jump-cutting fists that punch through the British flag repeatedly. The film has six parts, including the famous ten-minute track through an auto assembly line and a four-minute shot of a woman's nude torso; it is also filled with speech, whether it's a text from Engels read aloud or a newscaster talking about the necessities of burning women and children. A real agit-prop film, but, as Godard said about the later -Vladimir and Rosa-, also "a time piece."
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