硝酸鹽之吻
| 片名： | 硝酸鹽之吻 |
|---|---|
| 其它片名： | Nitrate Kisses |
| 导演： | 芭芭拉•汉默 |
| 片长： | 67分钟 |
| 年份： | 1992年 |
| 类型： | |
| 国别： | 德国 |
| 语言： | 德语 |
| 格式： |
影片概述 . . . . . .
硝酸鹽之吻》透過30年代德文旁白的紀錄片與現代1993美國第一部同志片的影音對話，讓觀眾不論是異性戀或同志族群，都想要收集自身週遭的吉光片羽，以嶄新的能見度看同志族群的昨日與今日。
Synopsis:
Nitrate Kisses explores images of lesbian and gay culture in this first feature-length film by Hammer, a pioneer of lesbian cinema. Archival footage from the first gay film in the U.S. , Lot in Sodom (1933), by James Sibley Watson and Melville Webber, as well as footage form German narrative and documentary films of the 30s are interwoven in this multi-faceted construction. Questions of a forbidden and invisible history of a marginalized people are placed into context by the contemporary sexual activities-photographed by Hammer of four gay and lesbian couples Maria & Ruth, Sandy & Jerre.
Nitrate Kisses makes the viewers, gay or straight, want to save scraps. Letters, books, records and snapshots are collected in order to preserve ordinary lives as “history”. The imaginative possibilities of revealed and new languages, histories and biographies in recovered documents suggest a new visibility for gays and lesbians of yesterday and today.
Synopsis:
Nitrate Kisses explores images of lesbian and gay culture in this first feature-length film by Hammer, a pioneer of lesbian cinema. Archival footage from the first gay film in the U.S. , Lot in Sodom (1933), by James Sibley Watson and Melville Webber, as well as footage form German narrative and documentary films of the 30s are interwoven in this multi-faceted construction. Questions of a forbidden and invisible history of a marginalized people are placed into context by the contemporary sexual activities-photographed by Hammer of four gay and lesbian couples Maria & Ruth, Sandy & Jerre.
Nitrate Kisses makes the viewers, gay or straight, want to save scraps. Letters, books, records and snapshots are collected in order to preserve ordinary lives as “history”. The imaginative possibilities of revealed and new languages, histories and biographies in recovered documents suggest a new visibility for gays and lesbians of yesterday and today.
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