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芒种无秩序的绚烂

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片名: 芒种无秩序的绚烂
其它片名: /Grain in Ear unorganized splendid
导演: 沈朝方
编剧: 沈朝方
制片人: 沈朝方
摄影: 王进辉
美术: 刘瑛, 沈朝方
声音: 杜婕
剪辑: 刘大鹏, 盛夏
主演: 张晓辰, 肖梦, 郑锦凤, 丁怡, 王畅
音乐: 郑晨楠
片长: 11分钟
年份: 2008年
类型: 实验
国别:
语言:
格式: sony f750
制作机构: 北京电影学院

影片概述 . . . . . .

《芒种》系列的灵感和内涵,恰恰来自于有感同代青年人在工具理性盛行、生存竞争严酷以及青春狂想与现实境遇相悖的情境,有感于繁丽极致的梦境与惶惶无法安神的躁动和无奈。荣誉、财富、情爱及永恒的梦想却与现时的失落促就了沉重的迷茫。由此而在瑰丽的花丛、奇丽的飞鸟、靡丽的水烟、美丽的佳人的背后隐现出孤独、冷漠、迷茫和寂灭。予理想和美好以幻灭,是一切悲剧的手法和归宿,它固然残酷,但却可道出事物的定律并更加唤起人们对于理想和美好事物的追逐与珍惜。


Shen Chaofang’s “Grain in ear”are just based on his feeling about the world, where means rational prevails, struggle for existence is harsh, the whim of youth collides with the reality and the gorgeous dream mingles with disquieted confusion and hopelessness. That the glory, fortune, love and the eternal ideal entangle the realistic disappointment results in the leaden disillusionment. So loneness, apathy, confusion and dead silence peer from behind the resplendent flowers, the fantastic birds, the flamboyant smoke on the surface of water and the beauties. To endow the ideal and nicety with disillusion is skill and end-result for all tragedies. It is indeed harsh. However, it tells the law of things and awakens the people to pursue and cherish the things of ideal and beauty.

导演阐述 . . . . . .

自上世纪20年代西方“达达艺术”问世以及60年代“波普艺术”流行以来,艺术已经大大超出和颠覆了它旧有的概念及涵义。艺术早已从诉诸以感官的审美及文学性情节的表述,迈向诉诸于哲性的观念思维和关乎众生的社会文化领域。尤其在上世纪后半叶现代科技飞速发展的后工业社会及网络社会之中,被奉为经典和高雅的古典艺术及学院派艺术被理解为只是艺术史过程的一种存在,传统的艺术概念及其价值观念和旧有的表现手法不再作为评判艺术问题的绝对标准;架上艺术和传统的影像艺术经验已汇入了新媒体实验的宽广之路,这无疑为新时代艺术的语言方式、交流方式和观念形态提供了崭新的舞台,为当代更多的人接触艺术、享受和参与艺术品评提供了更大的可能。

Director’s Statement:
Art has gone beyond and overturned much its old concept and meaning since the dada art has come out in the 1920s and the pop art has prevailed in the early 1960s. It turned long ago from the expression of sensual aesthetic activity and the literary plot into the show of philosophic thinking and the social culture concerning lives being. Especially in the second half of last century when modern technology developed by leaps and bounds in the post-industrial and network society the classical, highest classic art and academic art were just seen as an existence in the history of art. The traditional concept of art and its values were no longer the absolute standards to the judgment of art. The easel and traditional image art have flowed into the broad river of plentiful new media experimental art, which makes it much more possible that more people can touch, enjoy, and taste the art in the contemporary era. We will gain new experience in mixing and synthesizing the photography, digital image pick-up, device, costume, performance and idea,

获得奖项 . . . . . .

影展和获奖记录               Film Festival and Awards
北京电影学院新媒体三年展    新媒体艺术青年奖入围奖 Beijing Film Academy New Media Art Triennial 
                         New media yuan artist Awards
北京电影学院研究代     优秀作品奖       Beijing Film Academy postgraduate of Fine Arts Department Award for outstanding work
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